Gallery of Fine Art Photography - Atlanta GA

Lumiere Gallery
  • Contact
  • Artists
  • Exhibitions
  • Dialogue/News
  • Themes
  • About Us
  • Home
Harold Edgerton  -  Squash Stroke, 1934 / Silver Gelatin Print  -  7.5 x 9

Harold Edgerton - Squash Stroke, 1934

Silver Gelatin Print - 7.5 x 9

Harold Edgerton  -  Back Dive, 1954 / Silver Gelatin Print  -  8.5 x 8

Harold Edgerton - Back Dive, 1954

Silver Gelatin Print - 8.5 x 8

Harold Edgerton  -  Cranberry Juice into Milk, 1960 / Dye Transfer  -  14 x 16

Harold Edgerton - Cranberry Juice into Milk, 1960

Dye Transfer - 14 x 16

Harold Edgerton  -  Cutting the Card Quickly! 1964 / Dye Transfer  -  14 x 18

Harold Edgerton - Cutting the Card Quickly! 1964

Dye Transfer - 14 x 18

Harold Edgerton  -  Bullet through Candle Flame, 1973 (with Kim Vandiver) / Dye Transfer  -  12 x 18

Harold Edgerton - Bullet through Candle Flame, 1973 (with Kim Vandiver)

Dye Transfer - 12 x 18

Harold Edgerton  -  Bullet through Bannana, 1964 / Dye Transfer  -  16 x14.5

Harold Edgerton - Bullet through Bannana, 1964

Dye Transfer - 16 x14.5

Harold Edgerton  -  Pigeon Released, 1965 / Dye Transfer  -  14 x 18

Harold Edgerton - Pigeon Released, 1965

Dye Transfer - 14 x 18

Harold Edgerton  -  Diver, 1955 / Dye Transfer  -  14 x 18.5

Harold Edgerton - Diver, 1955

Dye Transfer - 14 x 18.5

Harold Edgerton  -  Moscow Circus, 1963 / Dye Transfer  -  14 x 18

Harold Edgerton - Moscow Circus, 1963

Dye Transfer - 14 x 18

Harold Edgerton  -  Football Kick, 1938 / Dye Transfer  -  14 x 16

Harold Edgerton - Football Kick, 1938

Dye Transfer - 14 x 16

Harold Edgerton  -  Bullet Splash, 1938, 3 Prints Mounted to Board, 1960, 14.060 / Silver Gelatin Print  -  5 x 7 (each)

Harold Edgerton - Bullet Splash, 1938, 3 Prints Mounted to Board, 1960, 14.060

Silver Gelatin Print - 5 x 7 (each)

Harold Edgerton  -  Bullet Though Plexiglass, 6201.2000 / Silver Gelatin Print  -  17.5 x 14.5

Harold Edgerton - Bullet Though Plexiglass, 6201.2000

Silver Gelatin Print - 17.5 x 14.5

Harold Edgerton  -  Bullet/Wire, 5503.1000 / Silver Gelatin Print  -  11.5 x 9

Harold Edgerton - Bullet/Wire, 5503.1000

Silver Gelatin Print - 11.5 x 9

Harold Edgerton  -  Dynamite Car Explosion, 5601.2000 / Silver Gelatin Print  -  13 x 13

Harold Edgerton - Dynamite Car Explosion, 5601.2000

Silver Gelatin Print - 13 x 13

Harold Edgerton  -  15 June 1944 - Cathedral, 14.282 / Silver Gelatin Print  -  9 x 9

Harold Edgerton - 15 June 1944 - Cathedral, 14.282

Silver Gelatin Print - 9 x 9

Harold Edgerton  -  Bimini, 14.023 / Silver Gelatin Print  -

Harold Edgerton - Bimini, 14.023

Silver Gelatin Print -

Harold Edgerton  -  Atomic Bomb Explosion Tinity, 7-16-45, 14.017 / Silver Gelatin Print  -

Harold Edgerton - Atomic Bomb Explosion Tinity, 7-16-45, 14.017

Silver Gelatin Print -

  -   /   -

-

-

previousprevious artist
previousprevious artist
Next
next
artist

Harold Edgerton

  • bio
  • exhibitions
  • themes
  • news

Harold Eugene “Doc” Edgerton, Sc.D. (1903-1990)
Edgerton was a professor of electrical engineering at the Massachusetts Institute of Technology. He is largely credited with transforming the stroboscope from an obscure laboratory instrument into a common device seen in nearly every camera. He grew up in Aurora, Nebraska and attended the University of Nebraska-Lincoln. After graduating, he married Esther Garret in 1928. During their marriage they had three children: William, Robert, and Mary Lou. He earned an S.M. in electrical engineering from MIT in 1927. Edgerton used stroboscopes to study synchronous motors for his Sc.D. thesis in electrical engineering at MIT, awarded in 1931. He credited Charles Stark Draper with inspiring him to point stroboscopes at everyday objects: the first was a stream of water coming out of a faucet. He was a pioneer in strobe photography, subsequently using the technique to capture images of balloons during their bursting, or a bullet during its impact with an apple, for example. He was awarded a bronze medal by the Royal Photographic Society in 1934, and the National Medal of Science in 1973. He also invented the Rapatronic camera.

In 1937 he began a lifelong association with photographer Gjon Mili, who used stroboscopic equipment, particularly a “multiflash” strobe light, to produce strikingly beautiful photographs, many of which appeared in Life Magazine. He was a cofounder of the company EG&G, with Kenneth Germeshausen and Herbert Grier, in 1947. EG&G became a prime contractor for the Atomic Energy Commission and had a major role in photographing and recording nuclear tests for the United States through the fifties and sixties. His work was instrumental in the development of side-scan sonar technology, used to scan the sea floor for wrecks. Edgerton worked with the undersea explorer Jacques Cousteau, by first providing him with underwater stroboscopes, and then by using sonar to discover the Britannic. Edgerton participated in the discovery of the American Civil War battleship USS Monitor. While working with Cousteau, he acquired the nickname he is still known by in photographic circles, “Papa Flash”. In addition to having the scientific and engineering acumen to perfect strobe lighting commercially, Edgerton is equally recognized for his visual aesthetic: many of the striking images he created in illuminating phenomena that occurred too fast for the naked eye adorn art museums worldwide. He was especially loved by MIT students for his willingness to teach and his kindness: “The trick to education,” he said, “is to teach people in such a way that they don’t realize they’re learning until it’s too late.” One of the graduate student dormitories at MIT carries his name. Edgerton’s work was featured in an October 1987 National Geographic Magazine article entitled Doc Edgerton: the man who made time stand still.

Born: April 6, 1903, Freemont NE
Died: January 4, 1990, Cambridge, MA

Paul Strand, Tailor's Apprentice, Luzzara, Italy, 1953

Variations on a Theme

Contrasts

Contrasts

The work of Dr. Harold Edgerton is featured in these Theme Collections.

(Select the image to view the theme page)

Cowboy, Arizona, 1957

Animals

Still Life - Color

Still Life – Color

Studies of Light - B&W

Studies of Light – B&W

Studies of Light

Studies of Light – Color

  • enablewpts: 0
  • slide_template:
  • Facebook
  • Instagram
  • Twitter
  • Vimeo
  • YouTube
PH 404 261 6100

Subscribe to our mailing list

Powered by Robly™

site by the Media Kitchen
COPYRIGHT 2021 LUMIERE LTD.     PRIVACY