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Harold Feinstein  -  Coney Island Teenagers, 1949 / Silver Gelatin Print  -  11 x 14 (period/vintage print)

Harold Feinstein - Coney Island Teenagers, 1949

Silver Gelatin Print - 11 x 14 (period/vintage print)

Harold Feinstein  -  Blanket Toss, 1955 / Silver Gelatin Print  -  available in multiple sizes

Harold Feinstein - Blanket Toss, 1955

Silver Gelatin Print - available in multiple sizes

Harold Feinstein  -  Coke Sign on the Boardwalk, 1949 / Silver Gelatin Print  -  available in multiple sizes

Harold Feinstein - Coke Sign on the Boardwalk, 1949

Silver Gelatin Print - available in multiple sizes

Harold Feinstein  -  Degas' Coney Island, 1949 / Silver Gelatin Print  -  11 x 14 (period/vintage print)

Harold Feinstein - Degas' Coney Island, 1949

Silver Gelatin Print - 11 x 14 (period/vintage print)

Harold Feinstein  -  Crowded Beach, 1960 /   -  Neg_CI-81_F?

Harold Feinstein - Crowded Beach, 1960

- Neg_CI-81_F?

Harold Feinstein  -  Gypsy Girl and Carousel, 1946 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Gypsy Girl and Carousel, 1946

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Steeplechase Pier With Twilight Sparkles, 1974 / Silver Gelatin Print  -  available in multiple sizes

Harold Feinstein - Steeplechase Pier With Twilight Sparkles, 1974

Silver Gelatin Print - available in multiple sizes

Harold Feinstein  -  Seeking Shade, 1954 / Silver Gelatin Print  -  available in multiple sizes

Harold Feinstein - Seeking Shade, 1954

Silver Gelatin Print - available in multiple sizes

Harold Feinstein  -  Sailors on the Subway, 1952 / Silver Gelatin Print  -  11 x 14

Harold Feinstein - Sailors on the Subway, 1952

Silver Gelatin Print - 11 x 14

Harold Feinstein  -  Swimming Hole Peep Hole, 1948 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Swimming Hole Peep Hole, 1948

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Boy Under Boardwalk, 1977 / Silver Gelatin Print  -  available in multiple sizes

Harold Feinstein - Boy Under Boardwalk, 1977

Silver Gelatin Print - available in multiple sizes

Harold Feinstein  -  Boardwalk Stairs, 1950 /   -

Harold Feinstein - Boardwalk Stairs, 1950

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Harold Feinstein  -  Handwriting Analysis, 1950 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Handwriting Analysis, 1950

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Girl on Merry-Go-Round, 1956 / Silver Gelatin Print  -  available in multiple sizes

Harold Feinstein - Girl on Merry-Go-Round, 1956

Silver Gelatin Print - available in multiple sizes

Harold Feinstein  -  Kids Ride the Whip, 1950 /   -

Harold Feinstein - Kids Ride the Whip, 1950

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Harold Feinstein  -  The Hurricane, 1946 /   -

Harold Feinstein - The Hurricane, 1946

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Harold Feinstein  -  Boardwalk Sheet Music Montage, 1950 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Boardwalk Sheet Music Montage, 1950

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Take Your Own /artists_wp/Feinstein_2016_05_all_90/photos/   -  Neg_78-38_F06

Harold Feinstein - Take Your Own Photos

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Harold Feinstein  -  Standing Guard, 1952 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Standing Guard, 1952

Silver Gelatin Print - 16 x 20

Harold Feinstein  -

Harold Feinstein - "I Mean YOU!", Roll call, Fort Dix, 1952

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Harold Feinstein  -  Confidence Course, 1952 /   -

Harold Feinstein - Confidence Course, 1952

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Harold Feinstein  -  GI in Photo Booth, Camp Kilmer, 1952 /   -

Harold Feinstein - GI in Photo Booth, Camp Kilmer, 1952

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Harold Feinstein  -  Vaccine Shots, Camp Kilmer, 1952 /   -  Neg_K-41_F36

Harold Feinstein - Vaccine Shots, Camp Kilmer, 1952

- Neg_K-41_F36

Harold Feinstein  -  Comic Books in Barracks, Ft Dix, 1952 /   -

Harold Feinstein - Comic Books in Barracks, Ft Dix, 1952

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Harold Feinstein  -  Boots Stowed Under Cot, 1952 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Boots Stowed Under Cot, 1952

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  GI On His Rack in Barracks, 1952 /   -

Harold Feinstein - GI On His Rack in Barracks, 1952

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Harold Feinstein  -  View From Porthole, 1952 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - View From Porthole, 1952

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Peeking Through Portholes, Pusan, Korea, 1953 /   -

Harold Feinstein - Peeking Through Portholes, Pusan, Korea, 1953

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Harold Feinstein  -  Soldiers, Ice & Fog, 1952 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Soldiers, Ice & Fog, 1952

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Waiting for Barracks Assignments, Camp Kilmer, 1952 / Silver Gelatin Print  -  available in multiple sizes

Harold Feinstein - Waiting for Barracks Assignments, Camp Kilmer, 1952

Silver Gelatin Print - available in multiple sizes

Harold Feinstein  -  Line For Barracks, Fort Kilmer, 1952 / Silver Gelatin Print  -  available in multiple sizes

Harold Feinstein - Line For Barracks, Fort Kilmer, 1952

Silver Gelatin Print - available in multiple sizes

Harold Feinstein  -  Takin' a Break, 1952 /   -

Harold Feinstein - Takin' a Break, 1952

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Harold Feinstein  -  Home At Last, On the Troop Ship, 1953 /   -  Neg_A-12

Harold Feinstein - Home At Last, On the Troop Ship, 1953

- Neg_A-12

Harold Feinstein  -  Four GIs at Ship Rail /   -  Neg_K-30_F11

Harold Feinstein - Four GIs at Ship Rail

- Neg_K-30_F11

Harold Feinstein  -  Korean Children on Village Bridge, Pusan, 1953 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Korean Children on Village Bridge, Pusan, 1953

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Korean Drum Parade, 1953 /   -

Harold Feinstein - Korean Drum Parade, 1953

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Harold Feinstein  -  Korean Child, 1953 / Silver Gelatin Print  -  11 x 14

Harold Feinstein - Korean Child, 1953

Silver Gelatin Print - 11 x 14

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Harold Feinstein  -  125th Street From Elevated Train, 1950 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - 125th Street From Elevated Train, 1950

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Grant's Counter Man, 1974 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Grant's Counter Man, 1974

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Beauty Parlor Window, 1964 / Silver Gelatin Print  -  11 x 14 (period/vintage print)

Harold Feinstein - Beauty Parlor Window, 1964

Silver Gelatin Print - 11 x 14 (period/vintage print)

Harold Feinstein  -  Ascending the Subway Stairs, 1970 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Ascending the Subway Stairs, 1970

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Boy With Chalk Numbers, 1955 / Silver Gelatin Print  -  11 x 14 (period/vintage print)

Harold Feinstein - Boy With Chalk Numbers, 1955

Silver Gelatin Print - 11 x 14 (period/vintage print)

Harold Feinstein  -  Cruisin’ on Saturday Night /   -  Neg_40-1957_F12

Harold Feinstein - Cruisin’ on Saturday Night

- Neg_40-1957_F12

Harold Feinstein  -  Sharing a Public Bench, 1949 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Sharing a Public Bench, 1949

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Man Smoking in Diner, 1950 / Silver Gelatin Print  -  30 x 40

Harold Feinstein - Man Smoking in Diner, 1950

Silver Gelatin Print - 30 x 40

Harold Feinstein  -  Girl in Harlem Window, 1954 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Girl in Harlem Window, 1954

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Night Snow W 11th Street / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Night Snow W 11th Street

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Shoe Store Window / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Shoe Store Window

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Window Washer, 1974 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Window Washer, 1974

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Stripes and Shadows / Silver Gelatin Print  -  11 x 14 (vintage print)

Harold Feinstein - Stripes and Shadows

Silver Gelatin Print - 11 x 14 (vintage print)

Harold Feinstein  -  Woman Stepping Out of Car, 1946 / Silver Gelatin Print  -  11 x 14 (period/vintage print)

Harold Feinstein - Woman Stepping Out of Car, 1946

Silver Gelatin Print - 11 x 14 (period/vintage print)

Harold Feinstein  -  Wedding and Portrait Studio, 1964 / Silver Gelatin Print  -  available in multiple sizes

Harold Feinstein - Wedding and Portrait Studio, 1964

Silver Gelatin Print - available in multiple sizes

Harold Feinstein  -  Pigeons, 1955 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Pigeons, 1955

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  Breezy Curtains, 1978 / Silver Gelatin Print  -  11 x 14

Harold Feinstein - Breezy Curtains, 1978

Silver Gelatin Print - 11 x 14

Harold Feinstein  -  Swan in the Cosmos, 1964 / Silver Gelatin Print  -  16 x 20

Harold Feinstein - Swan in the Cosmos, 1964

Silver Gelatin Print - 16 x 20

Harold Feinstein  -  My Mother's Curtains, 1948 / Silver Gelatin Print  -  20 x 24

Harold Feinstein - My Mother's Curtains, 1948

Silver Gelatin Print - 20 x 24

Harold Feinstein  -  Country Drive, Vermont, 1974 / Silver Gelatin Print  -  11 x 14

Harold Feinstein - Country Drive, Vermont, 1974

Silver Gelatin Print - 11 x 14

Harold Feinstein  -  Sheep Under Clouds / Silver Gelatin Print  -  11 x 14 (period/vintage print)

Harold Feinstein - Sheep Under Clouds

Silver Gelatin Print - 11 x 14 (period/vintage print)

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Harold Feinstein  -  Lunch Counter / Pigment Print  -  30 x 40

Harold Feinstein - Lunch Counter

Pigment Print - 30 x 40

Harold Feinstein  -  Tough Guy on Pier / Pigment Print  -  17 x 22

Harold Feinstein - Tough Guy on Pier

Pigment Print - 17 x 22

Harold Feinstein  -  Wonder Wheel Couple /   -

Harold Feinstein - Wonder Wheel Couple

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Harold Feinstein  -  Lifeguard /   -

Harold Feinstein - Lifeguard

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Harold Feinstein  -  Boardwalk Rest / Pigment Print  -  available in multiple sizes

Harold Feinstein - Boardwalk Rest

Pigment Print - available in multiple sizes

Harold Feinstein  -  Plastic Maiden By Roller Coaster / Pigment Print  -  available in multiple sizes

Harold Feinstein - Plastic Maiden By Roller Coaster

Pigment Print - available in multiple sizes

Harold Feinstein  -  Nude in Shower / Pigment Print  -  available in multiple sizes

Harold Feinstein - Nude in Shower

Pigment Print - available in multiple sizes

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Harold Feinstein  -  Invitation / Pigment Print  -  17 x 22

Harold Feinstein - Invitation

Pigment Print - 17 x 22

Harold Feinstein  -  Tenements and High-Rise / Pigment Print  -  17 x 22

Harold Feinstein - Tenements and High-Rise

Pigment Print - 17 x 22

Harold Feinstein  -  Blue Mist Filmstrips / Pigment Print  -  available in multiple sizes

Harold Feinstein - Blue Mist Filmstrips

Pigment Print - available in multiple sizes

Harold Feinstein  -  Brooklyn Bridge II / Pigment Print  -  17 x 22

Harold Feinstein - Brooklyn Bridge II

Pigment Print - 17 x 22

Harold Feinstein  -  Golden Sun Spots / Pigment Print  -  available in multiple sizes

Harold Feinstein - Golden Sun Spots

Pigment Print - available in multiple sizes

Harold Feinstein  -  Buildings & Lights /   -

Harold Feinstein - Buildings & Lights

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Harold Feinstein  -  Little Italy and Rome / Pigment Print  -  available in multiple sizes

Harold Feinstein - Little Italy and Rome

Pigment Print - available in multiple sizes

Harold Feinstein  -  Stars 'N Stripes / Pigment Print  -  17 x 22

Harold Feinstein - Stars 'N Stripes

Pigment Print - 17 x 22

Harold Feinstein  -  Suspension / Pigment Print  -  available in multiple sizes

Harold Feinstein - Suspension

Pigment Print - available in multiple sizes

Harold Feinstein  -  Babylonian Gardens II / Pigment Print  -  available in multiple sizes

Harold Feinstein - Babylonian Gardens II

Pigment Print - available in multiple sizes

Harold Feinstein  -  Highlight Edges / Pigment Print  -  available in multiple sizes

Harold Feinstein - Highlight Edges

Pigment Print - available in multiple sizes

Harold Feinstein  -  Morning Traffic / Pigment Print  -  available in multiple sizes

Harold Feinstein - Morning Traffic

Pigment Print - available in multiple sizes

Harold Feinstein  -  Lipstick Building As Stacked Coins / Pigment Print  -  available in multiple sizes

Harold Feinstein - Lipstick Building As Stacked Coins

Pigment Print - available in multiple sizes

Harold Feinstein  -  Cerulean City / Pigment Print  -  30 x 40

Harold Feinstein - Cerulean City

Pigment Print - 30 x 40

Harold Feinstein  -  Busy City Streets / Pigment Print  -  17 x 22

Harold Feinstein - Busy City Streets

Pigment Print - 17 x 22

Harold Feinstein  -  Cloud City / Pigment Print  -  available in multiple sizes

Harold Feinstein - Cloud City

Pigment Print - available in multiple sizes

Harold Feinstein  -  Blue Corners /   -

Harold Feinstein - Blue Corners

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Harold Feinstein  -  Magnolia / Pigment Print  -  17 x 22

Harold Feinstein - Magnolia

Pigment Print - 17 x 22

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Harold Feinstein

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Harold Feinstein was born in Coney Island in 1931. He began his career in photography in 1946 at the age of 15 and within four short years, Edward Steichen, an early supporter, had purchased his work for the permanent collection of the Museum of Modern Art (MoMA). He joined the Photo League at 17 and became a prominent figure in the vanguard of the early New York City street photography scene where he exhibited at Helen Gee’s Limelight Gallery and was a designer for historic Blue Note Records. He was one of the original inhabitants of the legendary “Jazz Loft,” which he later turned over to his long-time collaborator and colleague W. Eugene Smith.

Feinstein is best known for his six-decade engagement with Coney Island. While his Coney Island work has been much celebrated, Feinstein’s breadth and exposure are far greater. His photographs from the Korean War, taken from the perspective of a draftee, offer an intimate look at the daily life of young conscripts from induction, to basic training, to the front lines. In addition, he has a large collection of classic street photography, nudes, portraits and still life. His first black and white monograph, Harold Feinstein: A Retrospective, was published in 2012 by Nazraeli Press and won a Photo District News 2013 award in the Best Photo Books category.

Feinstein’s photographs have been exhibited in and are represented in the permanent collections of major museums around the globe including the Museum of Modern Art, International Center of Photography, George Eastman House, Museum of Photographic Arts, Center for Creative Photography, Musée d’Art Moderne, the Jewish Museum, and the Museum of the City of New York. His portfolios, photo essays, and articles have been published in major periodicals including, LIFE, Aperture, Black and White, Camera Arts, The New York Times Magazine, American Photo, Oprah Magazine, Evergreen Review, Photography Annual, Modern Photography and Popular Photography.

The work of Harold Feinstein is featured in these exhibitions.

(Select the image to view the exhibition page)

Harold Feinstein, Gypsy Girl and Carousel, 1946

View From The Street

Harold Feinstein Master Photographer

Harold Feinstein Master Photographer

Memorial Day

Memorial Day

The work of Harold Feinstein is featured in these Theme Collections.

(Select the image to view the theme page)

Red & Green Salt Flats, Moss Landing, 1969

Abstraction – Color

Landscape - B&W

Landscape – B&W

Signage

Signage

Sky

Sky

Studies of Light - B&W

Studies of Light – B&W

Still Life - Color

Still Life – Color

Urban Landscapes - Color

Urban Landscapes – Color

Harold Feinstein and the Korean War

When Harold Feinstein, then a young photographer from New York, was drafted and sent to Camp Kilmer for basic training during the Korean War, he applied to be an official Army photographer. Even at this tender age, Feinstein’s abilities as a photographer had been recognized by some of the most influential curators in the United States, including Edward Steichen of the Museum of Modern Art.
READ ENTIRE ARTICLE
The Army, however, must not have shared Steichen’s view as his request was denied, and Feinstein was sent to Korean in the early 1950s to fight as an infantryman on the front lines. Upon his arrival in Asia, Feinstein realized the benefits of not being an official Army photographer.
Confidence Course, 1952

Confidence Course, 1952

Feinstein wrote how lucky he came to feel that his wishes had been denied by the Army. “In retrospect, this was a great boon, because I was able to carry my camera everywhere and simply capture the day-to-day life of a draftee and not the official handshakes and medal ceremonies I would’ve been required to shoot as an official photographer.”
Feinstein suffered a non-combat related injury after a few months on the front lines and was sent back to Pusan (after a stint in a Kyoto hospital) to spend the rest of his tour as a sign painter and illustrator at Army Headquarters away from heavy combat. This location gave him even greater access to the Korean people, as well as an independent view of the day to day lives of GIs and civilians alike.
Standing Guard, 1952

Standing Guard, 1952

As Americans celebrate Memorial Day this year on Monday May 30th, Lumière is highlighting Feinstein’s contribution to war photography, as part of our on-line exhibition Memorial Day.
“As I look at these photographs now I see again through the eyes of a 21-year-old from Coney Island, fresh off the boardwalk and thrown into a situation with my peers who could’ve been at Coney Island with me riding the cyclone or flirting with their girlfriend under the boardwalk, or cruising around town on a Saturday night. No one could have prepared us for the hell of war, and that’s as true now as it was then. But in spite of it all, we gravitated toward the one thing we all shared – being a bunch of young men, wanting to be home with the people we loved, and seeking the comraderie and comfort of each other to fend off the anxiety of going to war,” he wrote.
It seems fitting that Feinstein brought back humanizing pictures from Korea, since that conflict is sometimes referred to as America’s forgotten war. Feinstein never forgot the war, nor the price paid by Americans and Koreans alike. Standing Guard, Korea, 1953 is a stark image of an American soldier protecting a desolate stretch of road on a rainy day. Like the solider, the viewer’s ability to see down this foggy road is obscured, perhaps reflecting Feinstein’s feelings about this war that claimed the lives of well over 36,000 American soldiers.
According to the data from the U.S. Department of Defense, the United States suffered 33,686 battle deaths, along with 2,830 non-battle deaths. South Korea reported some 373,599 civilian and 137,899 military deaths. Western sources estimate the Chinese army experienced about 400,000 killed and 486,000 wounded, while the North Koreans suffered 215,000 killed and 303,000 wounded.
Korean Children on Village Bridge, Pusan, 1953

Korean Children on Village Bridge, Pusan, 1953

Though Harold Feinstein passed away in June of 2015, one of his blog posts from 2014 recounts his feelings about his military service and the Korean War in general.
“As a GI, I remember arriving in Pusan and receiving instructions not to ‘fraternize’ with the local people. But, I confess that I broke that rule. I…got to know the local children. I also witnessed their sacrifices and suffering,” he wrote. “(I) remember, with great fondness and sympathies, those GIs who were conscripted with me and those civilians who I came to know. I respect them now as I did then.”
Korean Children at Bridge, Pusan, 1952 is a compelling photograph that both depicts an everyday scene of children congregating on a local bridge but also captures their uncertainty at seeing a western soldier in their midst. The shacks that line the river in this image point to their poverty, but also reveals the intimacy with which Feinstein looked at the country.
A viewer can easily tell that Feinstein was standing among the children, when the image was made. He was not surveying them from afar. His physical proximity is an extension of his closeness to the Korean people.
Boots Stowed Under Cot, 1952

Boots Stowed Under Cot, 1952

Other Feinstein photographs taken in the United States during basic training and on leave, reveal a similar closeness and empathy for American soldiers. In Boots Stowed Under Cots, 1952, a young soldier rests in the barracks, appearing vulnerable under his blanket deep in sleep. This picture foreshadows the powerful series made by Tim Hetherington of American soldiers sleeping in their makeshift quarters in Afghanistan more than fifty years later.
Feinstein acted as both an active member of the United States Army and independent eye. Today’s “imbedded” photojournalists would love to have the access that Feinstein carved out for himself in Korean through his own ingenuity and force of personality.
These photographs of the Korean War are one of many ways Harold Feinstein contributed to the history of photography. An online gallery of Feinstein’s images drawn from the course of his entire career can be seen on his Lumière Artist Page.

Harold Feinstein • Master Photographer
April 17, 1931 - June 20, 2015

We are saddened to announce the passing of Harold Feinstein on June 20, 2015.
Messages of condolences can be left on Harold’s Facebook page.

An obituary for Harold was published 7/1/15 in the New York Times.
This obituary for Harold was published 7/17 in The Daily Telegraph, London.

“Master” appropriately summarizes a 70 year career in photography.

Selection of his work at age 19 by Edward Steichen for MoMA’s permanent collection, membership in the Photo League, essays in major publications, nine books and presence in other notable museum collections testify to the broad recognition of Harold Feinstein.

Lumière has curated this exhibition… the 40th in its’ series on accomplished artists… with selections that highlight his creativity, diversity and consistent excellence. From black and white images of the urban landscape to color still lifes of flora and seashells, Feinstein’s prints radiate energy.

View the Exhibition Page

2014_Post Master

Last Weekend - View From The Street

Featuring the Work of Vivian Maier & Harold Feinstein

First recognized at the age of 19 by Edward Steichen, who purchased his prints for MoMA,
Feinstein has been widely acclaimed throughout his distinguished career.

“He is one of the few photographers with the ability to reveal the familiar in a beautiful new way”
W. Eugene Smith

“Humanistic, intimate, engaged”  •  A.D. Coleman…photography critic, New York Times

Also included . . . photographs by Vivian Maier – in conjunction with the publication of the book:
Vivian Maier: A Photographer Found (Oct 28,2014 – Harper Collins)

2014_10_VFS_post image

Lumière’s well received Fall exhibition… Masters of Photography will continue until February 28th as well, augmented with street photography by Berenice Abbott, Alexander Rodchenko & Wolf Suschitzky.

View Harold Feinstein’s artist page: – select here
View Vivian Maier’s artist page: – select here Updated Nov 21, 2014

Feinstein/Maier Reviewed in ArtsATL

ArtsATL_147December 16, 2014
By Virginie Kippelen

Lumière’s “View from the Street” a lively dialogue between Harold Feinstein, Vivian Maier.

This exhibition pairs the work of two great photographers. Vivian Maier, who died in 2009, is the mysterious nanny who rocketed to posthumous stardom after the discovery of her negatives in a storage locker in 2007. Harold Feinstein, now 83, was already exhibiting at the Museum of Modern Art at the age of 19 and collected by the likes of Edward Steichen. He was associated with the influential New York school and collaborated with W. Eugene Smith.
It’s an ingenious coupling: the juxtaposition brings out their similarities and their differences.

To read the entire review follow this link to ArtsATL.

Harold Feinstein - In The News - UPDATE

December 5, 2014 – The video to the right was posted recently by Ted Forbes on The Art of Photography Youtube Channel. (13:09)

November 21, 2014 – The Guardian– London, United Kingdom.
My Best Shot, features Feinstein’s icon image, Coney Island Teens. Select the link above to read Harold’s account of the image from 1949.

Novemember 18, 2014 – L’Oeil de la Photographie – Paris, France. An in-depth feature story on Harold’s 60+ year career in photography. It also sheds light on the influence he has had on numerous photographers as a teacher and mentor.

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